Jesse DorrisContributor

Jesse Dorris has written stories for The New Yorker, T: The New York Times Style Magazine, Surface, Aperture, Artforum, Architectural Digest, and others. He hosts the weekly radio show Polyglot on WFMU. He lives in Brooklyn.

Reviews (49)

- Tanlines
The Big Mess
May 22 2023
- Ron Morelli
Heart Stopper
April 28 2023
- The Hidden Cameras
The Smell of Our Own (20th Anniversary Edition)
April 17 2023
- John Cale
Mercy
January 24 2023
- Nona Hendryx
SkinDiver
September 25 2022
- Born Under a Rhyming Planet
Diagonals
September 8 2022
- Various Artists
NOW That’s What I Call Pride
June 18 2022
- claire rousay
everything perfect is already here
April 26 2022
- Dopplereffekt
Neurotelepathy
April 19 2022
- Vitesse X
Us Ephemeral
March 31 2022
- ADULT.
Becoming Undone
February 28 2022
- Sally Shapiro
Sad Cities
February 22 2022

Features (1)

The Music That Made Beverly Glenn-Copeland
The Music That Made Beverly Glenn-Copeland
The 76-year-old synth-folk pioneer and transgender icon talks about channeling Odetta, keeping Annie Lennox on repeat, and hearing the sounds within silence.
by: Jesse Dorris
November 5 2020
- Experimental

The Pitch (5)

Frank Ocean’s PrEP+ Promised Justice for the 1980s Queer Club Scene. It Did Not Deliver.
October 18 2019
A Surprising Tribute to David Bowie’s Berlin Trilogy, Played in a Manhattan Mall
October 23 2018
Nine Essential Ryuichi Sakamoto Collaborations to Know
February 16 2018
Patrick Cowley Is One of Disco's Most Important Producers. These Are His Must-Hear Deep Cuts.
January 17 2018
Queercore Veteran Scott Moore on How Gay Punk Has Changed
October 29 2017